Identity Archives » AFR-SG https://afr-sg.com/tag/identity/ A volunteer-led ground up movement promoting the humane and dignified treatment of forcibly displaced persons. Sun, 17 Oct 2021 09:11:15 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.2 https://i0.wp.com/afr-sg.com/wp-content/uploads/2020/09/Favicon1.png?fit=32%2C32&ssl=1 Identity Archives » AFR-SG https://afr-sg.com/tag/identity/ 32 32 193844370 Same same https://afr-sg.com/same-same/ Fri, 08 Jun 2018 20:51:00 +0000 https://afr-sg.com/?p=5533 Throughout the play, one crucial point that I was repeatedly reminded of - was that we all share in the human condition; we all are involved in the same fragility that human life brings. We pride on our varying distinctions...

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Throughout the play, one crucial point that I was repeatedly reminded of – was that we all share in the human condition; we all are involved in the same fragility that human life brings. We pride on our varying distinctions, we strive for advances and opportunities, and even bear superiority towards those we consider ‘other’. As we left the theatre, I kept asking myself: “How can we see that we are one human race, and that our similarities are far more than our differences?”

I appreciate how so many themes and issues were introduced in a play that is warmhearted yet deep: the struggles of migration and immigration, the challenges of living in a foreign place, and the quiet yet devastating effects of climate change. But as mentioned, one learning that struck out to me was how fragile we all are as human beings, whether it be to conflicts, discrimination, or the repercussions of our damage to the earth. 

I am reminded of the scenes where characters sought comfort in material well-beings and certainty: such as the imminent sale of the house, the security a new well-paying job offers, or even struggling to get the air-conditioning working. As disaster loomed, it made me realise how these comforts we seek are much smaller than the impacts we generate: how natural disasters can damage even the safest buildings, how careers are never permanent, and how seeking physical comforts can contribute to global warming. 

I do believe that our future generations will definitely bear some, if not all of the consequences of how our actions and inactions are scorching the earth. It may be quite soon that Singapore will experience climate changes that we never expected, and witness how climate change can induce displacement in our very own backyard. How would we react or respond if our neighbours from neighbouring islands seek refuge? Or as probable, how would we respond if we had to seek refuge from waters drowning our home?

The only answer or solution I might have, is that we do not wait for disasters and threats to force us to recognise our human fragility and hence find consensus with others; we should start recognising our similarities, and finding solidarity in times of harmony and peace. As I inferred from the play – we can only strive towards hope if we tightly hold on to our ideals, and work together towards a better world. 

I vividly remember Abdul Hakeem, a Libyan friend of mine I was teaching English to when I volunteered in a refugee camp in Hungary. His catchphrase during lessons every day would be putting his two thumbs up, and then going “this word Arabic, this word English, same same. All same same!” Whenever I see differences between nations, between communities, and between people I meet, this cheery memory occasionally comes to mind: aren’t all of us same same?

by Christopher Toh

For synopsis on Pangdemonium’s Dragonflies: http://pangdemonium.com/productions/dragonflies 

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This is home – truly? https://afr-sg.com/this-is-home-truly/ Fri, 08 Jun 2018 20:39:00 +0000 https://afr-sg.com/?p=5525 Whenever I am asked why I have chosen refugee law as my major research interest, I always say that I am drawn to the “home” being something fleeting, transient, impermanent...

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Whenever I am asked why I have chosen refugee law as my major research interest, I always say that I am drawn to the “home” being something fleeting, transient, impermanent – and this is precisely what the characters in Pangdemonium’s Dragonflies struggle with (and in so doing, they struggle with others and themselves). The main character, a recently widowed Leslie, learns that he cannot inherit ownership of his family residence given his lack of United Kingdom citizenship; after having left the country for his birth country, Singapore, he finds out that the storms and floods caused by climate change have destroyed and washed away that residence. At that juncture, he expresses regret at having buried his late wife’s ashes under a tree in that residence, because there are now no guarantees that a piece of land will always be there (and this actually made me contemplate having my own ashes scattered in the sea when I die!). Leslie’s loss is made more poignant by his imagined conversations (mostly one-way, with him doing the talking) with his late wife, Sandra, interspersed throughout the play, such conversations providing him solace in a disorienting world as he struggles to fit back into Singapore with his blood family. The washing away of the land containing Sandra’s ashes (further separating her from Leslie) sadly parallels many families torn apart today, with thousands dying in the perilous Mediterranean Sea while escaping persecution in the Middle East and Africa in the hope of seeking asylum in Europe, all held hostage to the whims of Mother Nature. Leslie’s commitment to Sandra to take care of her daughter, Maxine, sees Leslie and Maxine move together from England to Singapore and then to Kolkata, with their (quasi-)familial bond being the only constant across all three locations in Dragonflies. Hence, “home” for Leslie is less about a location or land, than it is about a person, family, Sandra, and Maxine: this was, to me, the main takeaway from Dragonflies.

By Matthew Seet

For synopsis on Pangdemonium’s Dragonflies: http://pangdemonium.com/productions/dragonflies 

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